Archive for September, 2009

Record of the Week: Om – God is Good (Drag City)

Tuesday, September 29th, 2009

Om - God is Good

A bit of a slower release week certainly doesn’t lessen the killer releases out this week. A bit of a surprise with the Fool’s Gold album that features members of Foreign Born, the Fall, and We Are Scientists that is great little afro-pop album. Frank Fairfield’s debut album on Tompkins Square is also a great album. Fairfield is on tour with Fleet Foxes right now with his impressive fiddle and banjo playing. The proper release of Cymbals Eat Guitars album Why There Are Mountains is out this week as well and is a great genuine indie rock record.

Last but not least though is the Record of the Week itself, Om’s newest album God is Good. Om’s fourth album sees a bit of a departure as long time drummer and former Sleep member, Chris Haikus, left the band before the album was recorded. Stepping in to his place is the drummer of one of our favorite bands around here, Emil Amos of Grails. It seems that Emil has had a bit of influence on where Om is going as well as a lot of the Eastern sounds that have been found on the more recent Grails albums are showcased here on God is Good.

God is Good is four tracks long but these are 3 minute songs. The first track, “Thebes,” is nearly 20 minutes long and very trancing. On the second track “Mediation is the Practice of Death,” Amos shows that he is very apt at taking Haikus place behind the kit. The final two songs is a two parter and mostly instrumental.

Om also brings in a bit of new instrumentation to the mix on this record with flute being played on “Meditation…” and tamboura on several tracks as well. All of it makes for a pretty great “stoner spiritual” album. This is one of Om’s finest efforts and it makes you think, with the little amount of time Amos and Al Cisneros had together before this album came out, we’re just seeing the beginning of what is going to turn out to be a great pairing.

"Meditation is the Practice of Death" from Om's 2009 album God is Good

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Honorable mentions for September 29th Record of the Week:

  • Fool’s Gold - Fool’s Gold (Iamsound)
    "Surprise Hotel" from Fool's Gold's 2009 album Fool's Gold

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  • Cymbals Eat Guitars - Why There Are Mountains (Sister’s Den)
    "Wind Phoenix(Proper Name)" from Cymbals Eat Guitars' 2009 album Why There Are Mountains

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  • Frank Fairfield – Frank Fairfield (Tompkins Square)
    "Nine Pound Hammer" from Frank Fairfield's 2009 album Frank Fairfield

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Record of the Week: J. Tillman(of Fleet Foxes) – Year in the Kingdom (Western Vinyl)

Thursday, September 24th, 2009

J. Tillman - Year in the Kingdom

I’ve mulled over this for like a week and a half now. I’ve put it off as long as I possibly could. It’s finally time to name a Record of the Week for September 22nd. It’s just that, there are so many records that should have that honor. First off, how could a collaboration between Bon Iver and Collections of Colonies of Bees, aptly named Volcano Choir, NOT be Record of the Week? How could the new Castanets record, which coincidentally is THE BEST Castanets record, not be Record of the Week. Then there is the new EP from Pains of Being Pure at Heart which is just excellent. Le Loup threw us for quite the loop(HA) and put out an absolutely outstanding album that brings forth the best moments from recent Grizzly Bear, Animal Collective and Fleet Foxes discs. New albums from Owen, Girls, Múm, Twilight Sad, Times New Viking. These are allllllll excellent albums. Maybe the obvious choice would be Monsters of Folk where Conor Oberst of Bright Eyes, M. Ward, Jim James of My Morning Jacket have teamed up to make an album. The choice after all was said and done though was…

J. Tillman’s A Year in the Kingdom is a testament that you can be as prolific as you want to be and still release killer album after killer album. Better known as the drummer of Fleet Foxes and one of their best backing vocalists, J. Tillman’s albums always stand on their own without bringing his pedigree up.

J Tillman’s solo stuff would appeal to the fan of Iron & Wine, Bon Iver, or Nick Drake. Hushed vocals over acoustic guitar but the backing instrumentation helps this release even more. Hammered dulcimer, banjo, recorder and very great string arrangements. There is a bit of that Fleet Foxes vocal harmonies as evidenced early on in the record with “Crosswinds.”

“Crosswinds” is definitely an album highlight along with “Earthly Bodies,” which has a very early Iron & Wine feel to it. Sort of around that Our Endless Numbered Days material where it was still stripped down but had some interesting instrumentation to it.

In short, if you liked Fleet Foxes, you’ll love this. If you like Iron & Wine, Nick Drake, Bon Iver, chances are you’ll like this as well. It takes a damn good record to stand out over the rest of the other records this week, and that’s just what this is. It’s also $9.97 at the store for the next month!

"Crosswinds" from J. Tillman's 2009 album Year in the Kingdom

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"Earthly Bodies" from J. Tillman's 2009 album Year in the Kingdom

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Honorable mentions for September 22nd Record of the Week:

  • Castanets - Texas Rose, the Thaw & the Beasts (Asthmatic Kitty)
    "Down the Line, Love" from Castanets's 2009 album Texas Rose, the Thaw & the Beasts

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  • Volcano Choir – Unmap (Jagjaguwar)
    "Island, IS" from Volcano Choir's 2009 album Unmap

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  • Le Loup – Family (Hardly Art)
    "Forgive Me" from Le Loup's 2009 album Family

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Record of the Week: Blk Jks – After Robots (Secretly Canadian)

Thursday, September 10th, 2009

Blk Jks - After Robots

A little bit of a late start to Record of the Week this week but with Beatlemania happening around here it’s finally here.

After releasing their debut EP, Mystery, earlier in the year, Blk Jks were already my favorite new band of 2009. I was incredibly excited for their debut full length and wasn’t let down in the slightest.

The band, hailing from South Africa, made their second trip to the U.S. to record this full length, After Robots, with Brandon Curtis of Secret Machines producing. If you are not familiar with Blk Jks, their sound is an incredibly unique blend of afro beat and progressive rock. More song oriented than Mars Volta but definitely on par in terms of musicianship, with vocalist Lindani Buthelezi goes back and forth singing in English, Zulu and Xhosa.

The album is full of bombastic highlights. From the huge honrs and chanting on the first track “Mololatladi” that builds and builds into a monster of a song to the dub sounds of “Skeleton” the band churns out one memorable tune after another.

While the band mixes complex songs together seemlessly, they also strive when working with a limited pallette of sounds. “Lakeside,” which appeared on the Mystery EP, gets stripped down to it’s bare essence of a song to show just how proficient they are at writing. Perhaps even more telling is the closing track, “Tselane,” which strips the band down to mostly just acoustic guitar and vocals being sung in one of their native tongues.

This album is not just record of the week but a strong contender for record of the year. Just an absolutely refreshing record and one of the most promising debuts I have heard in some time.

"Molalatladi" from Blk Jks' 2009 album After Robots

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"Lakeside" from Blk Jks' 2009 album After Robots

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Honorable mentions for September 8th Record of the Week:

  • Health - Get Color (Lovepump United)
    "Die Slow" from Health's 2009 album Get Color

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  • Vivian Girls – Everything Goes Wrong (In the Red)
    "When I'm Gone" from Vivian Girls' 2009 album Everything Goes Wrong

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  • Nudge – As Good As Gone (In the Red)
    "Burns Blue" from Nudge's 2009 album As Good As Gone

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